Planning a movement in sonata form.
You could make a map of the movement based on the sonata by Mozart discussed above or make an entirely original plan e.g.:
Bar | Key | Material |
---|---|---|
1 - 12 |
Tonic |
1st subject |
13 – 26 |
Modulation to the dominant |
Bridge |
27 – 42 |
Dominant |
2nd subject |
43 – 56 |
Dominant |
Codetta (exposition’s coda) |
57 – 82 |
Various |
Development |
83 – 94 |
Tonic |
Recapitulation 1st subject |
95 – 108 |
Tonic |
Bridge |
109 – 122 |
Tonic |
2nd subject |
123 – 144 |
Tonic |
Coda |
Then try to formulate draft ideas that you will assemble as the composition develops.
Here are examples of initial ideas that will surely change during the compositional process.
The idea below for a 1st subject contains features that could be developed later on. Also, it displays some of the techniques that you studied during this section e.g. suspensions (B4) and tonicisation (B6).
Fig. 5
The bridge uses two-part homophony (B3), a modulation to the dominant (B6), as well as a canon (B9).
Fig. 6
It might be easier for you to keep your draft ideas separately to begin with a view to fully refining them. Afterwards, use a pencil and paper or music software to gradually blend the ideas together.
Fig. 7